Sun. 13/11/2022 - 21:30

Shall I compare you to a Summer's day?

Bashtaalak sa'at

Shall I compare you to a Summer
Mohammad Shawky Hassan
vo: enar
sub: en

A glance leads to a smile, a smile to a rendezvous: every love story begins the same way. These narratives are stored in songs and poems and live on beyond their inevitable endings, as Shakespeare’s titular sonnet 18 also suggests. In Mohammad Shawky Hassan’s metafictional essay, a female narrator who wishes to tell the story of a love between two men encounters a polyamorous chorus of lovers, and this oft-told tale is multiplied. In Club Scheherazade, there is no protagonist, and every song has various versions. Heteronormative dramaturgy is challenged polyphonically and across a range of media: lovers ask each other about threesomes, Grindr contacts and past dates. Pop clichés are twisted, heartache permeates the men’s singing, and poems by Wadih Saadeh are read out while a lover’s dirty laundry is aired. The narrator mischievously tries for a happy ending as her characters exit the story. “If pain could be forgotten through words,” we hear at one point, “no lover would ever have to walk away wounded.”

Léo Bittencourt
vo: pt-br
sub: fren

In the pit of night, in a Brazilian park, animals, people and creatures of darkness come and go between shadow and light. Some find each other, others get lost but all shine in poetic silence.

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Galerie de la Reine 26
1000 Bruxelles